Thursday, August 5, 2010

create a very simple bomb icon

Hi there. In this new tutorial I will show you how to create a very simple bomb icon. You will only need the Ellipse Tool and the Rectangle Tool. Then you’ll be using Warp effects, simple strokes, various gradients, Offset Path and several effects to create the other components.

Difficulty: Beginner
Estimated Completion Time: 30 minutes
Number of Steps: 8


This is what you’ll be creating:

preview

Step 01

Create a 256 by 256px document. Grab the Ellipse Tool(L) create a 150x150px shape and fill it with R=51 G=51 B=51. Select this cricle, add three new fills (from the fly-out menu of the Appearance panel) and use the radial gradients shown below. Select the third fill (from the Appearance panel) and lower its opacity to 50% then select the forth fill and lower its opacity to 30%. Take a closer at the gradients. The yellow numbers stand for the Opacity percentage and the white numbers stand for Location percentage.

Step 02

Reselect the Ellipse Tool and create a small circle like the one shown in image #1. Place it as shown, fill it with R=179 G=179 B=179 then add a 20px Gaussian Blur effect. Pick the Rectangle Tool(M) and create a simple rectangle (image #2). Add the Rounded Corners (Effect > Stylize > Rounded Corners) and the Arc effect (Effect > Warp > Arc). Now, go to Object > Expand Appearance. Select the resulting shape and send it to back (Shift + Ctrl + [). Fill it with R=51 G=51 B=51 then rotate it and place like in image #4. Reselect this shape, add a new fill and use the radial gradient shown in the final image.

Step 03

Now, you’ll create the fuse. Select the Pen Tool(P), create a simple path (image #1) and sent it to back. Fill it with none and add a 8px stroke. Expand this stroke. Fill the resulting shape with R=198 G=156 B=109 then add the Inner Glow effect. Add two new fills and use the radial gradients shown in images #3 and #4.

Step 04

Next, is the spark. Select the Ellispe Tool(L) and create a simple circle above the fuse. Fill it with R=252 G=238 B=33. Add the Zig Zag (Effect > Distort&Transform > Zig Zag), the Pucher&Bloat (Effect > Distort&Transform > Pucher&Bloat) and the Arc effects then go to Object > Expand Appearance.

Step 05

Select the shape made in the previous step and go to Object > Path > Offset Path. Enter a -0,5px offset then hit Enter. Fill the resulting shape with R=249 G=183 B=31. Next, add the Inner Glow effect for each shape.

Step 06

Select the Ellipse Tool(L) and create a squeezed shape (image #1). Pick the Convert Anchor Point Tool(Shift+C) and click on the anchor points highlighted with red. Now, your shape should look like in image #2. Make several copies of this shape. Rotate and resize these copies then place them around the main spark. Fill these shapes with R=249 G=183 B=31 and with R=252 G=212 B=33.

Step 07

Select the Rectangle Tool(M), create four identical shapes and group them (image #1). Select this group, add the Arc effect then go to Object > Expand Appearance. Fill the resulting shapes with none then group them. Select this new group, add a new fill and use the radial gradient. Reselect this group and lower its opacity to 5%.

Step 08

Finally, a simple shadow. Grab the Ellipse Tool(L) and create a circle like the one shown in image #1. Send it to back then fill it with black and add a 12px Gaussian Blur. Reselect the Ellispe Tool(L), create a bigger circle (image #2) and send it to back. Fill this new shape with black, add a 25px Gaussian Blur then lower its opacity to 50%.

Final

Now your work is done. Here is how it should look like.


source::http://vforvectors.com/create-a-simple-bomb-icon/

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Create Hair in Illustrator

How to Create Hair the easy way in Illustrator.

We would like to note that this tutorial, is easier to do if you have a tablet you can use. It is possible to do with a mouse though, so give it a go if you don’t have a tablet.

To make the hair, we will use some exclusive custom brushes we made precisely for working with hair.

Download Brushes here

Upon downloading the AI file for my brushes, you will find the following brushes there. Only one I will be using for this particular tutorial are the ones I have put an x next to.

You can also feel free to experiment with the other brush. The calligraphic brushes on top are actually just the standard Illustrator brushes, they must have just gotten included when I saved the other ones.

For this tutorial we will be working with a stock image I grabbed off of Stock Xchange. You can find it here: http://www.sxc.hu/photo/1190309

So once you have the image and the brushes you are ready to let’s get started.

First thing we will do is open a new illustrator file, obviously. And paste the reference image in the first layer. After this, I always like to preselect the colors I will be using for this. You can go about this either by using the eye drop {Shortcut: I) tool and select different shades directly from the image, or making your own color choices. One thing to note,this hair can be made in any color you choose, you can follow this tutorial while making the hair blond if you wish. The important thing is you get a set of different shades of one color.

I make these colors into swatches for easy access when I need them. The following colors I used were

From Left To Right In RGB: 147 ,27, 30 – 130, 26, 34 – 96, 12, 13 – 57, 18, 18 – 44, 15, 16

After you have your colors set we will lock this layer, and dim the image to 50% which can be done simply by double clicking on the layer, and hitting the check box in the window that pops up.

After this we will adjust our brush settings, as I believe the Illustrator standard settings have some options turned on that will make the work more annoying since we will be using a lot of brush strokes. To bring up these option just hold the Apple key (Alt for PC’s) and click on the Brush tool. Now you can actually experiment with these options, and you will still get more or less the same result for this tutorial in the end. What I would recommend is making sure the “Keep Selected” option is turned off. If you have this on, it will make it very frustrating to make a new strand right next to the one you just finished, and it will really slow you down.

Next we will create a new layer, select the smallest hair brush, and select your brightest color. Here we are going to start making some strands of hair. Keeps in mind where the highlights are as we start going through this. Using the brush just start flowing from top center to the outside edges of the hair.

It doesn’t really matter if in which direction you paint (aside from horizontal). However, the longer you hold the stroke, the thinner it gets, and looks more like a strand of Hair. So longer brush strokes are recommended. Also keep in mind the way that the hair in the image is curving. And try and follow it.

Once you have a good number of brush stroked in different areas of the hair, we will create a new layer just below the one we were working on. Lock the top Layer, so we don’t accidently get different colors into that layer. Now with the same brush you were just using, change the color to the next color in line. Which should be slightly darker than the one you just used. Once you have that, go to work making new brush strokes in the same manner, but below the ones you just made.

At this point this is what my layers look like. I have renamed them so you know what is what:

Now we are going to mix it up a bit by making some even better highlights on certain parts of the hair.

To do this we are going to make a new layer, on top of all the other previous layers. Grab the smallest Hair brush, you can use the same color you used for the brightest strands, only this time we are going to go into our transparency setting and change it to “screen” at 100%.

Now with our brushes set, we will once again paint some strands, this time though, try going over the same area a few times to really turn it into a bright red/orange color, and making it pop out as more of a highlight.

After you throw in a few highlights. You can repeat all the above processes and add in more strands of hair and more highlights.

*Quick Tip
To make repeating the process again faster. Make sure all but the layer you are working on are locked. To quickly select your next brush and color you need. Just lock the layer you just finished, unlock the next layer you are going to work on, and with the selection tool select anything on that layer. Then deselect it. Since everything on that layer should be the same brush and color, when you deselect it, and hit your brush tool, it will be ready with what you had just selected.

Next we are going to ad a base to the hair. This serves as a background color so to speak, but it also makes sure we don’t have any empty spaces in between strands of hair. To do this, you want to select a color for the base to be. I like to choose some colors that are darker than the mid tones, but not the darkest. Now, using your pen tool, just go around the base of the hair until you complete one half of it.

Also you will notice I not only did the right side, but I also did a spot on the left, that was extremely dark.

Do the left side next, only be sure you send it to the back of the layer by hitting Apple+Shift+[. This will make sure that dark shadow area is not left in the back where we can’t see it.

Now your image should look like the one below.

Next we are going to add some gradient to the base hair, just to give it a little more depth. I used three of our preselected colors which were RGB 130/26/24 , 96/12/13 and 57/18/18

I did the gradients from lightest up top to darkest in the bottom. And they were evenly spaced out.

Now for the next steps, we are just going to continue to add more strands of hair in. Using the same methods as before. Keep your layers locked except for the one you are working on to avoid mixing brushes and colors within the layers. Don’t forget to add some more highlighted strands with the screen transparency.

Without the reference image your hair should be looking like this. We are just about done except for a few minor details in the bottom left side:

The minor details I was talking about isn’t actually that big of a deal. And the best solution here or anytime you are working on some hair is to use your best judgement. I simply felt the strands in the bottom left were a little to thin. So I want to add some more. However I don’t want them to come up over the rest of the hair directly to it’s right, so for this part I just made a new layer right above the base later and just mixed in different colors and strands into it. Same concept as always, I just used one same layer for these.

So there you have. Some really nice looking vector hair. As I mentioned you can do this with any style of hair really. Use more or less strands of hair, it’s all up to you. Ultimately, like most things, it all just takes some practice.


source::artjunks.com/create-hair-in-illustrator-tutorial/

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Monday, August 2, 2010

Illustrator Template

Illustrator Template


new from template

Do you have certain graphic elements (eg. logos, symbols, icons, etc.), Color Swatches, Graphic Styles, and Art Brushes that you commonly use in Illustrator? If your answer is yes, this tutorial might be helpful to you.

Download Source File

Required: Illustrator CS

Introduction

I personally use Adobe Illustrator alot, to save my time and work more efficiently, I have created serveral custom Libraries Illustrator Templates. I have one template with only RGB Color Swatches, one with CMYK Color Swatches, and one with minimal Library items. The minimal Libraries template has removed all unused/unwanted Library items and is use to create my Illustrator tutorial source file. This way I can cut down on the file size because each Library item in your file costs memory. The templates store the Color & Gradient Swatches, Art Brushes, and Graphic Styles that I commonly use in my illustration. Imagine the time it will cost if I need to remove all unused Libraries every time I create a new tutorial file. Or I need to open up an existing file to copy the Color Swatches & Graphic Styles that I want.

Illustrator Template can store: Artboard setting, Color/Gradient Swatches, Graphic Styles, Symbols, Layers, graphic placeholders, and more. For full detailed information on Illustrator Template, please read Illustrator’s Help files.

1. Create Your Custom Libraries

Most of you probably already know how to create Libraries, so I’m not going to explain all the details. Creating your Libraries is very easy, just drag your object in the Library pallate or select the object and click on the New icon. To remove your Library items, select the items that you want to remove and click on the Trash Can icon.

custom libraries

2. Save Your Template

After you’ve done with the Libraries, go to File > Save as Template and name your template that is best describe the content/setting of the file, ie. RGB Color Setting, For Print.

save as template

3. New From Template

Now go to File > New From Template and Adobe Illustrator will create a new file with all the setting you’ve created in your template.

new from template

Conclusion

Start making Illustrator Template now and save your working time!


SOURCE::http://www.ndesign-studio.com/tutorials/illustrator-template


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Glossy Button

Glossy Button


final glassy buttons

You have probably already seen this tutorial somewhere before or know how to make glossy button with Photoshop. Here is a tutorial to show how to do it with Illustrator.

Download Source File

Required: Illustrator 9+

1. Create the Circle Shapes

First create a circle path and fill it with orange color. Then Copy (Ctrl+C) it and Paste in Front (Ctrl+F). Scale down about 40% and drag it slight below the center point of the orange circle.

circle paths

2. Blend Tool

Select the Blend Tool, click on the top edge of the yellow circle and then click again on the top edge of the orange circle. Or you can blend them by selecting both circles, go to Object > Blend > Make (Ctrl+Alt+B).

blend tool

3. Add Final Light Reflection

Make an oval path and fill it with black & white Gradient and place it on top of the circles. Note if your color setting is CMYK, make sure the black for the gradient is full black(C=100, M=100, Y=100, K=100). With the oval path selected, go to Transparency pallate, select Screen Blend Mode. If your Transparency is not showing, go to Window > Transparency or press Ctrl+Shift+F10.

screen blend mode

Advantages

There are serveral advantages to create this glossy button with Illustrator than Photoshop:

  1. It is vector, which mean it is scalable.
  2. It is easier and faster to make this with Illustrator (less steps).
  3. Easier to change colors, just need to fill the circles with different colors.

final glassy buttons

SOURCE::http://www.ndesign-studio.com/tutorials/glossy-button


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Comic Style Strokes

Comic Style Strokes


final artwork

This tutorial will show you how to use Illustrator’s Art Brush to create custom comic style strokes.

Download Source File

Required: Illustrator 8+

1. Create an Art Brush

Use the Pen Tool and create a path like the image on the left. Drag it to the Brushes Library pallate. If your Brushes is not showing, go to Window > Brushes or press F5.

create a path

New Art Brush

When the New Brush options window popup, select New Art Brush.

new art brush

Art Brush Options

Then the New Art Brush Options will pop out, leave everything as default, but select Tints for Colorization Method. Click Ok.

art brush options

2. Apply Your Strokes

Now you can apply this Art Brush to any stroke by clicking the Art Brush in the Brushes library.

art brush library

Bonus Tips

You can change your stroke color and weight to get various stroke effect.

final artwork

SOURCE::http://www.ndesign-studio.com/tutorials/comic-style-strokes


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Stamp

Stamp


final stamp image

This tutorial shows you how to create a stamp image with Illustrator Zig Zag effect. It is useful for designing photo edge or album cover.

Download Source File

Required: Illustrator 9+

1. Draw a Rectangle Path

Select the Rectangle Tool, create a box like the image below. Go to Effect > Distort & Transform > Zig Zag.

create a box

Zig Zag Options

When the Zig Zag window popups, check Preview to preview the result, enter Size=1, Ridges per segment=26, then click OK.

zig zag effect

2. Add Drop Shadow Effect

With the path selected, go to Effect > Stylize > Drop Shadow, and enter the following setting: Opacity=50, X Offset=1 Y Offset=2, Blur=3, and select black color.

add drop shadow

3. Place in Your Artwork

Now you can remove the stroke color and place in your artwork and align them center. That’s it!

final stamp image

Bonus Tips

If you are creating this stamp for print, make sure your Document Raster Effects Settings is 300dpi or you will get pixelated print out. To change your setting, go to Effect > Document Raster Effects Settings. If you are designing for web/screen, leave it as 72dpi because higher dpi takes more memory.

raster effects setting

SOURCE::http://www.ndesign-studio.com/tutorials/stamp


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3D Graphs

3D Graphs


final

Are you still using the traditional 2D graph for your reports and presentations? This tutorial will show you how to create 3D graphs with Illustrator CS2 at ease.

Download Source File

Required: Illustrator CS2+

1. Create the Graph

Select the Pie Graph Tool, click on the Artboard/screen, then enter 200×200px.

graph dimensions

Data Table

Your graph data table will pop-up like the image below. Enter 15, 55, 30 and then click on the check mark to apply changes. Close the data table.

enter data table

2. Ungroup the Graph

You need to ungroup or break the graph into parts in order to apply colors and effects to each individual piece. With the graph selected, go to Object > Ungroup or press Ctrl+Shift+G to break-up the graph into individual parts. There will be a warning box with this message: After a graph is ungrouped you will no longer be able to access its graph style, its data or change its graph designs. Click Yes. Now Ungroup again to break the object into pieces. Fill with any color you want and remove the stroke color.

ungroup graph

3. Apply Extrude & Bevel

Select any piece(I’ve selected yellow here), go to Effect > 3D > Extrude & Bevel.

drop shadow

3D Extrude & Bevel option

Expand the window by clicking on More Options. Now you may drag the cube on the left to specify the Rotation or enter the X-Y-Z Axis values manually. Enter 20pt for Extrude Depth. Add one more Light by clicking on the New Light icon and drag it as shown below.

3d extrude options

4. Make a Graphic Style

With the yellow piece selected, in the Graphic Styles pallate, click on the New Graphic Style icon. If your Graphic Styles pallate is not showing, go to Window > Graphic Styles or press Shift+F5.

new art brush setting

5. Apply Graphic Styles

Now select the orange and green piece, click on the Graphic Style you’ve created in the previous step to apply the styles to the orange and green piece.

apply graphic style

Final

To finish off, reposition the pieces of the pie. Notice after you have applied the Graphic Styles, the pie is off a bit, use the Selection Tool and put them back together. Now you have a nice colorful 3D pie graph.

final

Bonus Tips

You can use the same technique to create the bar graph like the image below. Click here to download the source file for this Bar Graph sample.

3d bar graph

SOURCE::http://www.ndesign-studio.com/tutorials/3d-graphs


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